<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-8163146541368172934</id><updated>2011-12-07T04:36:52.516-08:00</updated><category term='Assingnment'/><title type='text'>ETERNITY</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://bijaysamuel.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8163146541368172934/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://bijaysamuel.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>Eternal</name><uri>http://www.blogger.com/profile/03160888351216386728</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://3.bp.blogspot.com/_YfpZ5wP-LHY/SgaTdkG86zI/AAAAAAAAAAM/8_2ihz-2YY4/S220/n506280521_2394987_2221042.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>12</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-8163146541368172934.post-8348595197396125583</id><published>2011-07-11T10:06:00.000-07:00</published><updated>2011-07-11T10:07:58.433-07:00</updated><title type='text'>Purva Mimansa</title><content type='html'>The Mimamsa philosophy is also very ancient, and the Mimamsa Sutra by Jaimini was written about the 4th century BC. This text begins with the subject of dharma, which the Vedas consider the means most conducive to the highest good. Dharma transcends sense perception, because the senses only perceive what exists in the present; dharma in the Mimamsa philosophy has a metaphysical reality that carries into the future.&lt;br /&gt;The soul also transcends the body, senses, and mind, being omnipresent, eternal, and many. In Mimamsa the soul is the agent that causes all movement of the body. Like in Vaishesika, salvation occurs when the fruits of all good and bad actions are exhausted, and the generation of new effects is stopped. However, in Mimamsa Vedic prayers, rituals, and sacrifices are emphasized as the means of achieving this. Women as well as men were allowed to perform sacrifices, but Sudras were still forbidden. In the ancient Mimamsa philosophy the experience of happiness in heaven was the ultimate goal.&lt;br /&gt;Mimamsa is based on the revelation in the Vedas, which are considered as eternal as the world. The metaphysics of this ethics even comes close to replacing God as the source of all action that governs the universe. Essentially everything is determined by character (dharma) or lack of it through the law of karma or action with its consequences. Not only is the soul as the agent of action real, but the action itself is a spiritual reality that transcends space and time, determining the nature of the universe. This unseen force is called apurva, which means something new, extraordinary, or unknown.&lt;br /&gt;Thus dharma or action (karma) supports the universe. If it is ethically right, it produces enjoyment; if it is wrong, then suffering is experienced. This force (shakti) of dharma or karma is extraordinary and unseen. The universe, being eternal, is not created by this force, but it is shaped by it. A unity to this universal force is posited to control and guide individuals in a single cosmic harmony.&lt;br /&gt;Yet humans are free and determine their own destiny by their actions. The karma from past actions does not limit free choices but is like capital that can be spent in various ways as it is resolved. The soul usually carries a mixture of good and evil consequences, and these may cancel each other. Obligations are actions which must be performed, or one gets demerit, though there is no merit for doing them. Prohibited actions if done also cause demerit, but if avoided likewise do not give merit. Optional actions may produce merit or demerit according to their consequences. Focusing primarily on the spiritual effects of rituals, the Mimamsa philosophy relies on the Dharma Sutras for guidance in worldly ethical questions.&lt;br /&gt;The Vedanta school complements Mimamsa's focus on the Vedas and sacrifices by illuminating the knowledge of the Upanishads as the "end of the Vedas," which is what Vedanta means. The Vedanta Sutra, written between the 500 and 200 BC by Badarayana, is also called the Brahma Sutra since it discusses knowledge of Brahman (Spirit) and sometimes Shariraka Sutra because it concerns the embodiment of the unconditioned self. The Vedanta Sutra attempts to clarify the meaning of the Upanishads and is rather terse, but it has been made famous by the commentaries written by the great Vedanta philosophers of the middle ages - Shankara, Ramanuja, and Madhva.&lt;br /&gt;If the way of action derives from the Mimamsa theory of karma, Vedanta suggests a way of knowledge by the soul of Spirit. The first chapter of the Vedanta Sutra describes Brahman as the central reality and creator of the world and the individual souls. The second chapter answers objections and explains the world's dependence on God and its evolution back into Brahman. The third chapter suggests ways of knowing Brahman, and the fourth chapter indicates the rewards or fruits of knowing this Spirit.&lt;br /&gt;Badarayana is traditional in that he believed knowledge comes from scripture (sruti) and other authorities (smriti), though sruti as revelation is identified with perception and smriti as interpretation with inference. Scripture refers to the Vedas and smriti to the Bhagavad-Gita, Mahabharata, and Laws of Manu. Reason for Badarayana must conform to the Vedas, but it is nonetheless subordinate to intuitive knowledge, which can come from devotion and meditation. Brahman as Spirit is considered the light of the soul, which is also eternal, though Brahman is distinguished from the intelligent soul and the unintelligent material things.&lt;br /&gt;As in Mimamsa individuals are responsible for their own actions and thus determine their own happiness or suffering. The soul is affected by pleasure and pain, but the highest Lord is not. Injunctions and prohibitions exist because of the connection of the soul with the body. Ethical action helps the soul attain a body fit for knowledge of Brahman, which then may be attained through service, renunciation, and meditation. Meditation on the highest yields unity with the infinite and knowledge of Spirit (Brahman), enabling one to stop producing karma and end the cycle of karma and reincarnation.&lt;br /&gt;Badarayana combined earlier views of Brahman as indeterminate intelligence and a definite personal Lord. While developing itself in the universe, Brahman is still transcendent. Though Brahman is in individual souls, it is not polluted by their defects. Human purpose comes through knowledge of Brahman, which also results in bliss and the nullification of works (karma). To obtain knowledge one must be calm and in control of the senses. Works can be combined with knowledge, but those performing them must not be overcome by passion. Knowledge may also be promoted through special acts such as prayer, devotion, and fasting. Meditation, though, should focus not on symbols of the soul but the reality. Through immobile meditation, thoughtfulness and concentration are increased, and meditation needs to be practiced up to death. By resolving karma through knowledge, oneness with Brahman is attained. At death the liberated soul is released from the body and does not return to another.&lt;br /&gt;&lt;br /&gt;Introduction:&lt;br /&gt;The word “Mimamsa” mean “Investigation, inquiry or Discussion”. It’s basically the proper way of interpretation of Vedic text, that also the earlier portion of Vedas, so it is also called Purva Mimamsa. It is also known by Dharma Mimamsa because it is an inquiry to an Dharma established by Vedas. Another name for it is Karma Mimamsa i.e. it describes the importance of sacrificial activities in attaining the pure Dharma as the good.&lt;br /&gt;It is one of the school of thoughts with in Hindu Philosophy. We have other schools of thoughts with in Hindu Philosophy namely : Vedanta, Vaisheshika, Nyaya, Samkhya and Yoga.&lt;br /&gt;Mimamsa explain how a human being can achieve the mysterious, transcendent power produced by a correctly performed sacrificial ritual, not through the action of gods. The results of the sacrifice often come after the death of the person performing the ritual.&lt;br /&gt;“Theory of Karma” is guided by Mimamsa Philosophy. “Karma” means “deeds”, “act” or “work”. Mimamsa is one of the school of thoughts with in Hinduism which gives importance to ‘theory of Karma’. This theory states that good actions produce good fruit, evil actions produce evil fruits. Every journalist seems necessary to be guided by karmayoga which holds that “when duty is performed in a spirit of dedication to god it becomes the cause of emancipation.”&lt;br /&gt;“Morality, fair play, ethics and justice are the basis of karmayoga” (Bodhi pp 30). This is the evidence that why both western and eastern world have given so much importance to fair play as canon of a journalism.&lt;br /&gt;Application dimension of Mimamsa Ethics:&lt;br /&gt;As said by Chanakya, the practical use of Mimamsa is: it does good to mankind, makes one’s intelligence, Buddhi, settled in the midst of pleasure and pain and makes one expert, visarada, in wisdon (prajna), in speech (vakya) and in action (kriya)”. So developing a code of ethics for journalist and other media professionals based particularly on Mimamsa Philosophy seems not only rational, it also seems more practical.&lt;br /&gt;Here, i claim that the present insecurity among the media professionals in Nepal, where media professionals are being attacked, would have been prevented if everybody had understood the ethics of Mimamsa and applied in their professional deeds.&lt;br /&gt;Here, we can say that the (Vakya) language used in media outlet also determines the ethical standards of media. For example when a journalist is reporting about physically impaired person, using the words like ‘Andho’, ‘Bahiro’ or ‘Langado’ is unethical. Instead we can be ethical by using words like ‘Dristibihin’ for blind person.&lt;br /&gt;Mimamsa will take a journalist action of exposing the name of culprit ethical if the culprit involvement in the crime is confirmed. As said earlier ‘ evil action will produce evil fruits’, culprit should be punished for his/her crime or harm deed to other. But what Unethical media do it just publish the name of the suspects and create the environment of hostility with the third party, followed by attack in the media.&lt;br /&gt;Conclusion:&lt;br /&gt;Hence we can maintain the ethical standards of media through the proper use of our language and action according to the Mimamsa Ethics.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8163146541368172934-8348595197396125583?l=bijaysamuel.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://bijaysamuel.blogspot.com/feeds/8348595197396125583/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://bijaysamuel.blogspot.com/2011/07/purva-mimansa.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8163146541368172934/posts/default/8348595197396125583'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8163146541368172934/posts/default/8348595197396125583'/><link rel='alternate' type='text/html' href='http://bijaysamuel.blogspot.com/2011/07/purva-mimansa.html' title='Purva Mimansa'/><author><name>Eternal</name><uri>http://www.blogger.com/profile/03160888351216386728</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://3.bp.blogspot.com/_YfpZ5wP-LHY/SgaTdkG86zI/AAAAAAAAAAM/8_2ihz-2YY4/S220/n506280521_2394987_2221042.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8163146541368172934.post-8494541689313785323</id><published>2010-03-01T10:41:00.000-08:00</published><updated>2010-03-01T10:42:53.665-08:00</updated><title type='text'>journalism as social institution</title><content type='html'>An institution can be seen as a sort of ‘super-custom’, a set of mores, folkways, and patterns of behavior  that deals with major social interests; law, church, and family etc. Thus, a social institution consists of all the structural components of a society through which the main concerns and activities are organized, and social needs such as those for order, belief, and reproduction are met. The current concept of institution is more fluid, for instance, as comprising changing patterns of behavior based on relatively more stable value systems. &lt;br /&gt;A social institution is an organization that is critical to the socialization process; it provides a support system for individuals as they struggle to become members of a larger social network. To illustrate, day care and kindergarten teachers focus the majority of their attention on “classroom management” skills, instructing students about how to stand in line and raise their hands when they want to talk in class. Institutions contribute to the stability of a society by maintaining an ongoing presence. In that sense, institutions are often tied to tradition. Social institutions such as the church maintain formalized practices and procedures. These rules apply to governance of the institution, including issues of leadership, membership, and dismissal from the institution. An institution is a relatively self-contained social system.Within the institution is found a large variety of social roles that are linked to authority relationships. An institution such as the family invites the lifelong involvement of the individual. Although the role of an individual may change within an institution during the course of his or her lifetime (e.g., from child to parent), the institution remains the same.&lt;br /&gt;Membership in a group. - Providing access to groups, people. -Unifying diverse groups of people. - Establishing a sense of order. - Helping people contend with change.- .Defining success/failure. - Defining/Affirming values.- .Establishing rules of behavior. - Providing a sense of direction/purpose. - Furnishing role models. - Educating. - .Presenting information on past, present, and future. - Offering a safe haven to exchange ideas (within limits). - Offering a buffer from society. - Controlling deviant behavior. &lt;br /&gt;- Gillen and Gillen “A social institution is a functional configuration of culture pattern (including actions, ideas, attitudes and cultural equipment) which processes certain permanence and which is intended to satisfy felt social needs” &lt;br /&gt;Within this time, it can be argued that the journalism have emerged as a social institution, fulfilling many of the functions that are no longer being served by traditional social institutions such as the family, church, and school. Space constraints prohibit a full consideration of the ways in which the journalism fulfills the functions of a social institution discussed above. However, much has been written about the impact of the media on the socialization process. Increasingly, people look to the media for direction with respect to values and rules of behavior. Indeed, media programs such as the James Bond films can be regarded as guidebooks, furnishing directions on the proper ways to behave (and the rewards that go with this kind of behavior). In that sense, media programs convey messages about success, as well as the best ways to get there. And despite sports commentator protestations, media figures have emerged as societal role models, epitomizing standards of success that their fans strive to emulate.&lt;br /&gt;Journalism supply people with membership in groups, defined by columns they read, products they buy. A person who reads editorial and sports page forms a virtual community or market that is readily exploited by advertisers. In that sense, the journalism unify diverse groups of people. The media as a whole provide a sense of order and stability in the lives of individuals. People arrange their daily routines around media activities, such as reading the morning newspaper, watching their favorite television programs, and checking their e-mail. As a result, the media have an enormous affect on the lifestyle of a culture dictating daily activities, language, and fashion. &lt;br /&gt;But although the journalism furnishes a safe place for people to discuss media, these discussions operate within limits. To illustrate, in the United States, media critics stop short of suggesting radical changes such as conversion from a private ownership system to a state-run media ownership model. In addition, journalism provides indirect access to subcultures within a country, as well as indirect contact with other countries. But at the same time, journalism also acts as a buffer from society. News papers and magazines serve as a major form of escape and distraction from the pressures of everyday life. Countries in which the media are state owned (e.g., Vietnam and China) recognize the power of the media as a social institution. These governments use the media to support the political agenda of the government. “Official” state media content is very prescriptive, telling its audience what to think and how to act. In addition, in many of these countries, regulations prohibit content in media presentations that undermines the countries’ religious and moral beliefs. The major difference between Western media and traditional social institutions is that these media have no means of controlling deviant behavior. Audiences are encouraged to consume the media wherever and whenever possible. Indeed, many media presentations depict a world without consequences, which serves to promote aberrant behavior.&lt;br /&gt;The press; the media;  the fourth state have long been accused of having power without responsibility. They are able to make and break careers, and frequently do: newspapers for eg boast about uncovering misdeeds and forcing politicians to resign. A slightly more measured view of this power is the role that journalism plays in developing public opinion. Journalism not only reports on events, it shapes them too: something which is perhaps most obvious in politics. The political interview is a showcase for both the politician and journalist with occasionally startling results. In any cases the role of journalist is to test the knowledge  and debating skills of the interviewees, to shape the public perception of them as politicians and perhaps, to test their suitability for office. The shaping of public opinion is also key to another branch of journalism i.e. criticism. The role of the critics is to offer an informed opinion on their subjects and in  order to do so they are expected to be experts intheir own right. Within each field the most respected critics have a profound influence. Shows can fail to attract audiences and close after being slated by reviewers, whereas glowing reviews can draw in audiences making careers and fortunes for performers and producers. The critics are not just there to report, they are integral to the development of their subjects. Similarly financial journalists can have significant impact on businesses not just by reporting on the actions of a company, which can affect the price of its stock but by opining on stategy and the competence of business leaders, share tipsters in particular can cause considerable movement in share prices: a real effect in the real world. Just by reporting on a subject and interviewing people, a journalist can have an effect on the real world, on real lives.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8163146541368172934-8494541689313785323?l=bijaysamuel.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://bijaysamuel.blogspot.com/feeds/8494541689313785323/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://bijaysamuel.blogspot.com/2010/03/journalism-as-social-institution.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8163146541368172934/posts/default/8494541689313785323'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8163146541368172934/posts/default/8494541689313785323'/><link rel='alternate' type='text/html' href='http://bijaysamuel.blogspot.com/2010/03/journalism-as-social-institution.html' title='journalism as social institution'/><author><name>Eternal</name><uri>http://www.blogger.com/profile/03160888351216386728</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://3.bp.blogspot.com/_YfpZ5wP-LHY/SgaTdkG86zI/AAAAAAAAAAM/8_2ihz-2YY4/S220/n506280521_2394987_2221042.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8163146541368172934.post-7821719756924539486</id><published>2009-12-15T07:51:00.000-08:00</published><updated>2009-12-15T08:12:22.785-08:00</updated><title type='text'>AFRICAN MEDIA SYSTEM</title><content type='html'>INTRODUCTION:&lt;br /&gt;Mass media in Africa have undergone tremendous changes in the last decade. Over the past 15 to 20 years, there has been notable progress and a significant shift towards democratization and media diversity in Africa. A UN report in 2006 states that mainstream, alternative and new forms of media, such as community and privately owned commercial media have steadily emerged and grown in numbers and diversity of opinion. The report suggests that the growth is in large part due to the space created by the shift from dictorial regimes to multiparty democracies and elections as well as the end of the cold war and internal calls for democratic reforms. In many African countries, as the new media entities have emerged, state-owned media, equally important for the public interest, has stagnated in the face of competition and diversity.&lt;br /&gt;&lt;br /&gt;THE MEDIA SYSTEM:&lt;br /&gt;For a close to a decade, the Highway Africa initiative, an annual collaboration between Rhodes University in South Africa, the private sector and development partners to showcase and promote new media, has helped engender a new breed of networked, multimedia-savvy African journalists. In recent years the digital era, and with it the convergence of new technologies with traditional/conventional media have raised critical policy questions on conventional regulatory telecommunications frameworks that lag behind new and emerging technologies. With access to new technologies and with improved bandwidth and internet infrastructure, ordinary citizens can bypass the hurdles of access to frequencies and licenses by appropriating digital or video cameras and audio players to publish, podcast, vodcast or stream stories on independent internet blogs. The digital age and the rapid development of the Internet have also challenged the traditional definition of journalism, forcing the mainstream or mass media to adapt or face extinction. Citizen journalism, including the generation of news content and analysis by individuals and independent groups of citizens worldwide, is an important dimension of this emerging phenomenon. Of all the media, newspapers remain the most combative and aggressive in their efforts to develop editorial independence, open up the society, and make themselves relevant. &lt;br /&gt;A number of challenges stand in the way of a strong media sector in Africa. Sustainability emerges as an overarching concern common to all media actors, irrespective of type. Of particular concern is financial sustainability. In many African countries the market for commercial media products is thin, manifested by a weak subscription and advertiser base. Where such markets do exist, the concentration is overwhelmingly urban and to a lesser extent peri-urban. Rural dwellers must rely largely on alternative and community-focused media, where they exist. There is an overall deficit of investment. Media owners and entrepreneurs have little or no dedicated means of support, as a result of which media is unevenly developed, within and across countries. In the short term, consistent and coherent financing is required to address this concern. A longer-term challenge is how to graduate from reliance on donor funding, to full sustainability. Press freedom remains a significant challenge. The collapse of the state monopoly on media in the 1990s notwithstanding, the growth of independent media has been circumscribed by state efforts to claw back power. In many countries, journalists and communicators are not allowed to operate freely, and intimidation and censorship remain the order of the day. The spectre of journalists threatened, jailed and even killed in the course of doing their jobs remains too common a scenario. Often, economic imperatives and political alignments make nonsense of the media’s role as a guardian of the public sphere. Some state-controlled media continue to serve as propagandists, ensuring that only prescribed messages are released. The same phenomenon of crowding out space applies to the private media, with concentration of media ownership threatening pluralism. Moreover, the dearth of public media in Africa raises concern that serving the public interest rests solely on the shoulders of state and private media, both of which have overriding concerns – such as serving ruling elites and ensuring financial sustainability.&lt;br /&gt;Capacity and standards are also identified as a major concern. In recent decades, donors have supported media training aimed at individuals and, to a lesser extent, organizations. However, the conventional wisdom is that such training has been piecemeal, small-scale and inimical to institution-building of the kind that is needed to sustain media as a sector. Producing content of a consistently high quality that is accurate and reliable requires a stronger configuration of training providers and a clear vision as to how to develop media capacity in different countries and subregions, all with their own specific characteristics and realities. Media management and entrepreneurial skills, as well as skills to strengthen media representation, also need to be developed with the same holistic approach in mind.&lt;br /&gt;The emergence and development of Information and Communication technologies and especially the Internet has brought in its wake hope of increased exchanges between people geographically separated, dreams of economic prosperity, a new sense of interconnectedness and the optimistic belief in development and change even in the lives of Africans. &lt;br /&gt;Mass media in Africa have undergone tremendous changes in the last decade. The monopoly by government has been broken. Radio and television are improving and are gradually becoming powerful instruments for public information and education. However, despite progress made, mass media in Africa remains constrained by acute problems including a lack of financial, human and material resources. These constraints could have a profound impact on the possibility of the African media to create public spheres for democratic participation.&lt;br /&gt;Today’s Africa’s media picture is mixed. On one hand there is the example of South Africa whose largely professional media is of a high standard. On the other hand countries like Zimbabwe, Equatorial Guinea and Eritrea have taken deliberate steps to limit all media scrutiny, reportedly “expelling foreign journalists, banning international human rights groups, and trying to control Internet access”.  Rwanda, Gabon and Ethiopia have demonstrated similar tendencies. At the same time, security remains a major issue for journalists working in countries like Somalia, the Central African Republic (CAR), Nigeria, Burundi and the Democratic Republic of Congo (DRC), although statistically journalists in Africa are less at risk than those working in the Middle East and Latin America. &lt;br /&gt;The fact is that the dream of a robust, independent, indigenous continent-wide African mass media is still far from becoming reality. There have been signs of improvement, and some commentators have perceived real and lasting change, suggesting, for example, that “what was once a media desert has become a landscape flourishing with newspapers, radio and TV stations”.  Many national governments have demonstrated reluctance to allow the development of an effective “fourth estate”. Other concerns persist. For example, even where African television stations are relatively free of political interference, they typically use very little local material; other than clumsily-produced news and some entertainment programming, conspicuous dependence on Western programming is common. Funding also remains a key issue for many media outlets in Africa; failure rates for financial reasons are high. In the realm of indigenous Pan-African media, pickings are slim.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8163146541368172934-7821719756924539486?l=bijaysamuel.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://bijaysamuel.blogspot.com/feeds/7821719756924539486/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://bijaysamuel.blogspot.com/2009/12/african-media-system.html#comment-form' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8163146541368172934/posts/default/7821719756924539486'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8163146541368172934/posts/default/7821719756924539486'/><link rel='alternate' type='text/html' href='http://bijaysamuel.blogspot.com/2009/12/african-media-system.html' title='AFRICAN MEDIA SYSTEM'/><author><name>Eternal</name><uri>http://www.blogger.com/profile/03160888351216386728</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://3.bp.blogspot.com/_YfpZ5wP-LHY/SgaTdkG86zI/AAAAAAAAAAM/8_2ihz-2YY4/S220/n506280521_2394987_2221042.jpg'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8163146541368172934.post-7956348164816467297</id><published>2009-09-03T08:46:00.000-07:00</published><updated>2009-09-03T11:31:43.517-07:00</updated><title type='text'>Globalisation of Media</title><content type='html'>From the early rise of human civilization, man and his ability to communicate has made him superior than any other living animals in this world. Knowingly or unknowingly we have been involved in communicating with each other in day to day life. In the earlier age people didn't know how to produce sounds so they used to talk with themselves intra-physically known as intra-personal communication and as John Vivian says that "intra-personal communication develops our thoughts and ideas" which lead humans in formation of speech. Since the development of speech which is thought to have begun about three hundred thousand years ago. Slowly humans started to communicate with each other, terminologically speaking inter-personally, using different channels like auditory, visual, olfactory and tactile. Due to inter-personal communication human civilization came to its existence. One of the major characteristics of human is to form a group (family, community and nation) and so people started forming groups from where group communication started although group communication is complex than intra and inter-personal communication, all the members of the group is considered having communication at interpersonal level too. Human society consists of various organization and communication carried out in these organizations are known as organizational communication where information is transmitted to a large group of people, which results in the construction of meanings that have influences on its members. That did not stop there humans started scribbling pictures and unclear lines which is considered as prior forms of the alphabets. Then the printing press was invented in 1445 by Johannes Gutenberg which was a land mark of the human society and served as the gate way to the modern print media. Since then knowledge and information could be transmitted to other fellow beings in larger scale. Then came the era of wire services  which started with the rise of telegraph invented by Samuel Morse in 1830-1832A.D. and telephone by Alexander Graham Bell in 1876A.D. and it was possible to send information through wire which was quickly followed up by wireless service in 1895A.D. when Marconi successfully sent human voice with the help of radio wave. Radio receiving sets were invented on 1906 which till now is considered to be the dominant means of communication. The invention of radio brought a new revolution in the sector of communication and the sharing of information across the globe. Thirty years later after the invention of radio humans succeeded in sending sound and voice at the same time with the invention of television. The recent development in the field of communication is the use of satellites and computers in the process of communication. These mass media helps one person or a group of persons to communicate with a large audience which is known as mass communication. Now, communication could be performed in such a way that time and space were no obstacle in its path. Machines extended the range of messages by transmitting over large distances. The use of mass media in the process of communication destroyed the barrier of time and geography and made the world as a family. It linked the whole world in the information superhighway and uplifted the concept of globalization.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8163146541368172934-7956348164816467297?l=bijaysamuel.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://bijaysamuel.blogspot.com/feeds/7956348164816467297/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://bijaysamuel.blogspot.com/2009/09/globalisation-of-media.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8163146541368172934/posts/default/7956348164816467297'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8163146541368172934/posts/default/7956348164816467297'/><link rel='alternate' type='text/html' href='http://bijaysamuel.blogspot.com/2009/09/globalisation-of-media.html' title='Globalisation of Media'/><author><name>Eternal</name><uri>http://www.blogger.com/profile/03160888351216386728</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://3.bp.blogspot.com/_YfpZ5wP-LHY/SgaTdkG86zI/AAAAAAAAAAM/8_2ihz-2YY4/S220/n506280521_2394987_2221042.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8163146541368172934.post-7548077270926086444</id><published>2009-07-04T01:51:00.000-07:00</published><updated>2009-07-04T02:06:28.432-07:00</updated><title type='text'>State of media in Nepal in 2065B.S.</title><content type='html'>&lt;meta equiv="Content-Type" content="text/html; 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	mso-level-tab-stop:none; 	mso-level-number-position:left; 	margin-left:.8in; 	text-indent:-.8in;} @list l1:level7 	{mso-level-style-link:"Heading 7"; 	mso-level-text:"%1\.%2\.%3\.%4\.%5\.%6\.%7"; 	mso-level-tab-stop:none; 	mso-level-number-position:left; 	margin-left:.9in; 	text-indent:-.9in;} @list l1:level8 	{mso-level-style-link:"Heading 8"; 	mso-level-text:"%1\.%2\.%3\.%4\.%5\.%6\.%7\.%8"; 	mso-level-tab-stop:none; 	mso-level-number-position:left; 	margin-left:1.0in; 	text-indent:-1.0in;} @list l1:level9 	{mso-level-style-link:"Heading 9"; 	mso-level-text:"%1\.%2\.%3\.%4\.%5\.%6\.%7\.%8\.%9"; 	mso-level-tab-stop:none; 	mso-level-number-position:left; 	margin-left:1.1in; 	text-indent:-1.1in;} ol 	{margin-bottom:0in;} ul 	{margin-bottom:0in;} --&gt; &lt;/style&gt;&lt;!--[if gte mso 10]&gt; &lt;style&gt;  /* Style Definitions */  table.MsoNormalTable 	{mso-style-name:"Table Normal"; 	mso-tstyle-rowband-size:0; 	mso-tstyle-colband-size:0; 	mso-style-noshow:yes; 	mso-style-priority:99; 	mso-style-qformat:yes; 	mso-style-parent:""; 	mso-padding-alt:0in 5.4pt 0in 5.4pt; 	mso-para-margin:0in; 	mso-para-margin-bottom:.0001pt; 	mso-pagination:widow-orphan; 	font-size:10.0pt; 	font-family:"Calibri","sans-serif";} &lt;/style&gt; &lt;![endif]--&gt;&lt;p class="MsoNormal" style=""&gt;&lt;span style=""&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;b style=""&gt;&lt;span style=""&gt;1.0 A general over view over Nepalese media:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style=""&gt;The political changes brought about by the &lt;i&gt;Jana Andolan &lt;/i&gt;(people’s movement) of April 2006 resulted in a significant shift in the media environment. In May 2006 the government annulled all media-related ordinances issued after 1 February 2005 and formed a High Level Media Commission to make recommendations on media policy. The government has implemented some of this Commission’s recommendations, including those made by the International Mission. These include the enactment a new Working Journalists Act and the Freedom of Information Act. Nepal was declared a federal republic on May 28, 2008, and the CPN (M) took on leadership of the coalition government in August. Nepal’s Interim Constitution - in effect until a new statute is promulgated- guarantees press freedom and freedom of expression. However, data at the Federation of Nepali Journalists (FNJ) suggest that the press freedom situation has deteriorated considerably since April 2006, especially in terms of the number of recorded violations. In 2008 alone the FNJ recorded over 342 instances of murder, attacks, threats and harassment of journalists and media companies. Included were two murders, 114 instances of attacks against journalists and media companies and 80 instances of threats and harassment. Analysis of the FNJ data suggests that violence against the media rose sharply after July 2008. Most of the reported attacks and threats against the media have taken place in the southern plains that border India and in the eastern hills, which has been the seat for demands for identity-based provinces and autonomy. Incidents of media rights violations peaked in late 2008 and early 2009. Two of the more notable attacks occurred during this period: the remains believed to belong to a murdered journalist who went missing in October were discovered in November 2008 And on 11January 2009 a group of unidentified assailants brutally murdered a young female journalist. The February 2009 International Mission to Nepal had two purposes: to respond quickly to the increasing violence against journalists and media companies and to undertake a rapid assessment of the situation of media rights.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;h1 style="margin-left: 0.25in; text-indent: -0.25in;"&gt;&lt;!--[if !supportLists]--&gt;&lt;span style=";font-family:&amp;quot;;font-size:100%;"  &gt;&lt;span style=""&gt;1.1&lt;span style=";font-family:&amp;quot;;" &gt;  &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;span style=";font-family:&amp;quot;;font-size:12;"  &gt;&lt;span style="font-size:100%;"&gt;STATE OF MEDIA&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;  &lt;p class="MsoNormal" style="text-align: justify;"&gt;&lt;b&gt;&lt;span style=""&gt;&lt;span style=""&gt; &lt;/span&gt;1.1.0 Broadcasting:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style=""&gt;Nepal’s broadcasting sector has seen major changes since the popular uprisingin April 2006. After the restoration of Parliament on 24 April, Prime Minister Koirala also oversaw the Ministry of Information and Communication until he appointed a Minister in June. By early 2006 FM stations had resumed news broadcasts – after the 10 August 2005 interim order by the Supreme Court on a writ filed by Nepal FM and other court decisions related to &lt;i&gt;Kantipur &lt;/i&gt;FM and Sagarmatha FM. The court had barred the Government from revoking Nepal FM’s licenses after it had defied the ban on news. The Government formed a High Level Media Commission in August 2006. Thereafter, it formed a taskforce to recommend new legislation, which is&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style=""&gt;being reviewed by the Information and Communication Ministry. However, most of the recommendations relating to the sector remain unimplemented (see Media policy and legal reform). Meantime, the Government has asked the Press Council Nepal (PCN) – the regulator of the print media – to also oversee broadcasting. However, the PCN has been unable to fulfil the role for lack of adequate legislation and capacity. The print and broadcast media have equal legal status. However, the National Broadcasting Act, the Radio Act, the Radio Communication (License) Regulation and the National Broadcasting Regulation, need to be amended&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style=""&gt;before the provision can take effect. In December 2007 the Government had licensed over 200 new radio stations, taking the total number to around 250. Around a 100 radio stations were broadcasting in December 2007. The number of television licensees has reached 18. Among them seven Nepal based channels are broadcasting – five are private and two state-run. One TV station broadcasts to Nepal from New Delhi, India. The Nepali audience has access to almost all the satellite channels available in South Asia. The state broadcaster Nepal Television began broadcasting in January 1985 and was the only station until independent television channels were licensed in mid-2001.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style=""&gt;1.1.1 Analysis of broadcasting Media:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style=""&gt;1.1.2 FM Radio:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style=""&gt;Harassment of Nepal’s broadcasters by the state ended in April 2006, but the number of problems in the sector have increased. The uncertainty of the transition and lack of clear policy and laws have resulted in unplanned and unmanaged development, inconsistent application of laws and regulation, cut-throat competition, commercialization and politicization (the lack of special provisions governing community radio has contributed to the complexity). Competition is driving the radio stations towards greater market orientation&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style=""&gt;and higher budgets, thus challenging the public service and community radio principles and practices. Both volunteerism and access of poor and marginalized groups to the airwaves are threatened, more so because&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style=""&gt;frequencies have been distributed based on a first-come-first-serve basis, but those licensed have often been individuals and groups with access to the political and bureaucratic elite. There are new issues related to the credibility and professionalism in broadcasting. Nepal’s broadcasters comprise a large number of small ventures still in the process of institution building, which tend to be overshadowed by the few larger broadcasters. Generally, the fairly developed broadcasters in Kathmandu tends to eclipse the struggling district FMs, which Nepali journalists said was reason why there was not as much donor support to radio as there should have been. The sporadic donor support to radio is often spent in Kathmandu, contributing little towards institutionalization or sustainability of local broadcasters. As donors have no collective strategy for using radio for enhancing the outputs of their investments in other sectors including peace-building. Sustainability therefore remains a challenge, especially for the real community-run ventures. Another challenge to radio stems from the licensing regime. Existing law does not have enough termination clauses and this has made entry of new broadcasters almost impossible, especially in some regions where almost all available frequencies have been allocated. There are no laws to differentiate commercial and community radios and smaller ventures are subject to the same license and renewal fees applied to all broadcasters. Many stations use inappropriate equipment and technology. Much of the equipment has already broken down or has become outdated. A secular technical support centre for radio accessible to all broadcasters can help to better manage the growth.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style=""&gt;1.1.3 Television:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style=""&gt;Nepali television is becoming more professional as a result of both in-country and international competition, but this does not mean that the sector does not have serious problems. The technology used by many stations is dated compared to international standards.&lt;b style=""&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b style=""&gt;&lt;span style=""&gt;1.1.4 Focus area:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style=""&gt;The lack of adequate power supply and Nepal’s rugged topography are also two factors that will continue to hamper the reach of television for many more years. Roughly 40% of Nepalis have access to electricity, which is not available year-round, even in the capital. Another problem is the content of television, which seems to be targeting the urban populations (and advertisers) rather than the rural groups, helping thus to magnify the growing rural-urban inequalities rather than contributing towards bridging the gap. The role of television in Nepal’s transformation will remain marginal until the aforesaid challenges can be overcome – which is&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style=""&gt;unlikely in the short- and medium-terms.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style=""&gt;&lt;span style=""&gt; &lt;/span&gt;1.2 Print media:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style=""&gt;Despite the fact that Nepal’s independent newspapers flourished only since the re-establishment of democracy in 1990, Nepal has a vibrant print media landscape. There are currently more than 4,500 registered newspapers and magazines, although only about 500 of them publish on a regular basis.7 Of Nepal’s roughly 8,000 media practitioners, some 6,000 are involved in the print media. According to the World Association of Newspapers (WAN), hundreds of independent vernacular and English-language newspapers representing various points of view were available in 2007, both in Kathmandu and the districts. The privately-owned broadsheet dailies report largely independently, while the government-owned dailies, Gorkhapatra and The Rising Nepal, reflect government policy. There are weekly newspapers that are close to or even identify with and pledge allegiance to different political parties –including the CPN(M).&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style=""&gt;1.2.1 Analysis of print media:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style=""&gt;With a few exceptions, most newspaper companies are small ventures with low circulation figures, ranging from a few hundred copies to a few thousand. Circulation is affected by the low literacy, relatively high cover&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style=""&gt;prices and difficulties in distribution, especially in the districts, where security and poor infrastructure make it difficult to deliver newspapers on a timely basis. Regular distribution is restricted mainly to the Kathmandu Valley, which accounts for more than 85 percent of the market. Newspapers are predominantly distributed door-to-door by bicycle. According to WAN, there are approximately 1,000 newspaper outlets in Kathmandu Valley and another 1,000 in the rest of the country. About half of these are stationery or grocery stores doubling as newspaper outlets. The inequitable allocation of state advertising has also had a debilitating effect&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style=""&gt;on the print media, especially on small and medium-sized newspapers. The Government scrapped the “one-window” advertising policy introduced by the royal government in June 2006. Using this policy, it had deprived independent publications of pubic advertising funds and given state-controlled media preferential treatment for commissions. However, the Kathmandu-based publications still continue to receive the large part of public advertising and existing allocation rules exclude district media from a – perhaps – fairer share.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style=""&gt;The working conditions of journalists at most newspaper companies are still not comparable to other industries. Salaries paid to journalists are low. In addition, many newspaper companies do not pay journalists in a timely manner. &lt;span style=""&gt;&lt;span style=""&gt; &lt;/span&gt;Nepal’s law bars the&lt;/span&gt; &lt;span style=""&gt;cancellation of registration&lt;/span&gt; &lt;span style=""&gt;so periodicals once&lt;/span&gt; &lt;span style=""&gt;registered stay on the list&lt;/span&gt; &lt;span style=""&gt;forever. The Press Council&lt;/span&gt; &lt;span style=""&gt;Nepal which classifies&lt;/span&gt; &lt;span style=""&gt;newspapers and monitors&lt;/span&gt; &lt;span style=""&gt;them has a list of about&lt;/span&gt; &lt;span style=""&gt;2600 publications – dailies,&lt;/span&gt; &lt;span style=""&gt;weeklies, bi-weeklies,&lt;/span&gt; &lt;span style=""&gt;fortnightlies and monthlies.&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;      &lt;p class="MsoNormal" style=""&gt;&lt;b style=""&gt;&lt;span style=""&gt;&lt;o:p&gt; &lt;/o:p&gt;1.2.2 Focus area:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style=""&gt;Nepal’s decade-long civil conflict has had a profound impact on the print media, with both government forces and Maoist rebels targeting journalists and media houses. Under the state of emergency, from 1 February 2005 to end April 2005, fundamental rights, including freedom of expression and the right to information, were suspended. Soldiers and security forces entered newsrooms, monitoring newspaper copy and warning newspaper companies against disseminating any information that showed the Government in a negative light. In protest, some publications left their editorial pages blank. Hundreds of print journalists were detained, arrested or beaten throughout 2005 and early 2006. Threats came from all sides, with journalists facing interference from Maoists, representatives of the then Royal Nepalese Army8, and from the police. During the popular uprising of April 2006, journalists played a major role in resisting King Gyanendra’s attempts to restrict freedom of opinion and expression, thereby contributing toward the popular shift to democracy. The&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style=""&gt;situation of the print media improved with the end of King Gyanendra’s direct rule in April 2006. The new Government removed all restrictive directives imposed on the media by the king’s government. The delay in holding a Constituent Assembly election has resulted in a state of lawlessness whereby public security has suffered. Outside Kathmandu, journalists continue to face threats, harassment and violent attacks from a wide range of perpetrators, including local officials, criminal gangs, Maoist cadres, and other armed or unarmed groups. Both the two journalists who were killed in 2007 and the one who was abducted (and whose whereabouts remained unknown since July 2007) were print journalists. Prakash Singh Thakuri edited and published &lt;i&gt;Aajako Samachar&lt;/i&gt;; Birendra Sah wrote for the Kathmandu-based weekly, &lt;i&gt;Dristi &lt;/i&gt;and &lt;i&gt;Pushkar Bahadur Shrestha&lt;/i&gt;, publisher of two local weeklies, &lt;i&gt;Highway Weekly &lt;/i&gt;and &lt;i&gt;New Season&lt;/i&gt;. These attacks, coupled with the climate of impunity in Nepal, have led to numerous cases of selfcensorship among print journalists.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style=""&gt;The print media also continued to face attacks from organisations affiliated with the CPN (M), especially its trade union, the All Nepal Communication, Printing and Publication Workers Union (CPPWU), which sought to prevent the distribution of newspapers for carrying unfavourable news reports about the Union. In August 2007, the CPPWU disrupted the publication of the daily newspapers, the &lt;i&gt;Himalayan Times &lt;/i&gt;and the &lt;i&gt;Annapurna Post&lt;/i&gt;. Similar attacks continued when the CPPWU prevented the printing of &lt;i&gt;Kantipur &lt;/i&gt;and the &lt;i&gt;Kathmandu Post&lt;/i&gt;.&lt;span style=""&gt;  &lt;/span&gt;Nepal’s print media continue to face a wide range of challenges. The high level of illiteracy, insufficient distribution networks and the incapacity of the average citizen to afford a newspaper mean that relatively few Nepalis can read newspapers on a regular basis, especially in the outlying districts. The allocation of state advertising remains a crucial issue, especially for newspapers in the districts, which are more dependent on public advertisements for revenue. 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	mso-default-props:yes; 	font-size:10.0pt; 	mso-ansi-font-size:10.0pt; 	mso-bidi-font-size:10.0pt; 	mso-ascii-font-family:Calibri; 	mso-fareast-font-family:Calibri; 	mso-hansi-font-family:Calibri;} @page Section1 	{size:8.5in 11.0in; 	margin:1.0in 1.0in 1.0in 1.0in; 	mso-header-margin:.5in; 	mso-footer-margin:.5in; 	mso-paper-source:0;} div.Section1 	{page:Section1;} --&gt; &lt;/style&gt;&lt;!--[if gte mso 10]&gt; &lt;style&gt;  /* Style Definitions */  table.MsoNormalTable 	{mso-style-name:"Table Normal"; 	mso-tstyle-rowband-size:0; 	mso-tstyle-colband-size:0; 	mso-style-noshow:yes; 	mso-style-priority:99; 	mso-style-qformat:yes; 	mso-style-parent:""; 	mso-padding-alt:0in 5.4pt 0in 5.4pt; 	mso-para-margin:0in; 	mso-para-margin-bottom:.0001pt; 	mso-pagination:widow-orphan; 	font-size:10.0pt; 	font-family:"Calibri","sans-serif";} &lt;/style&gt; &lt;![endif]--&gt;  &lt;/p&gt;&lt;p class="MsoNormal" style=""&gt;&lt;span style=""&gt;Whereas violence against journalists by the two sides engaged in the conflict (February 1996 to April 2006) subsided with the onset of the peace process, it is being replaced by a growing pressure, including violent attacks, by identitybased and other social groups fighting for recognition and rights. At the same time, journalists have become targets to a growing number of criminal gangs – that operate with or without political patronage. The vulnerability of journalists could increase during times when the political contests intensify. Many journalists told the Mission that they feel unsafe to even display their press identification while covering rallies and other mass events. Thus, unless law-enforcement agencies manage to provide adequate security for unhampered reporting, and promptly investigate and apprehend the culprits of crimes against journalists (which would also help stem the growing culture of impunity), and unless non-state actors stop treating media and journalists as tools or hostages, the ability of the latter to cover the crucial peace process will be severely restricted. The media, for their part, need to act responsibly in reporting and commentary. The standards should be upheld through self-regulatory mechanisms, rather than by coercion from the state or other outside actors. A Code of Conduct for journalists was enacted by the Election Commission for the election period and it had sought the services of the Press Council for Media, elections and the peace process monitoring compliance and reporting violations. Cases of alleged breaches of the Code of Conduct, or professional and ethical standards in general, are to be referred to the Press Council Nepal to deal with in accordance with its legal mandate. Under this construction no other state agencies, and certainly no political or ad-hoc groups, should be allowed to try and discipline or punish the media for perceived misconduct. The challenge here is to establish an adequate monitoring mechanism. Particular attention should be paid to instances of hate speech and/or calls to violence. Every manifestation of hate speech carried by a media outlet should be promptly identified and unequivocally condemned by the journalistic community. At the same time, the media should strive to provide adequate and unbiased coverage of issues and concerns of disadvantaged ethnic and social groups – both around the election period and in a long-run. Including representatives of these groups (after they receive necessary professional training) in the newsrooms of mainstream media would be a welcome step towards ensuring fair representation of diverse views, and facilitating social dialogue. The media came under attack from different forces during this period, including groups affiliated with political parties and new groups demanding greater say in the constitution-making process. These attacks intensified after mid-January 2007 in the wake of protests by Madhesi groups dissatisfied with the failure of the new constitution to address inclusion of plains-origin people in the state-building process. Over a dozen armed groups claiming to represent the demands of the Madhesi people have emerged since, and the violence, largely targeted against people of hill origin, has not spared journalists. The media also continued to face attacks from organisations affiliated with the CPN(M), especially its trade union. The attacks often resulted in disruption of publication and broadcasting. On 5 October 2007 the Maoists abducted and killed Birendra Sah, a journalist in Bara district. The whereabouts of another journalist Prakash Singh Thakuri, allegedly abducted by the Maoists on 5 July from Mahendranagar in Far-western Nepal, remains unknown. The Janatantrik Terai Mukti Morcha (Jwala Singh) took responsibility for killing Pushkar Bahadur Shrestha in Birgunj of Parsa district on 12 January 2008. However, the Government had taken no action to investigate the death and&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align: justify;"&gt;&lt;span style=""&gt;bring those guilty to justice. Nevertheless, the independent media community has continued its fight&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align: justify;"&gt;&lt;span style=""&gt;against different direct and indirect threats to press freedoms and the safety of journalists. Even though Nepal now has “space” for freedom of expression, the difficulties faced by the State in maintaining law and order has resulted in an environment of continuous threats against journalists and press freedom. Nepal has enacted two vital laws for protecting the rights of journalists and media freedoms. These include the Working Journalists Act and the Right to Information Act (8 August and 18 July 2007). However, both the laws remain to be fully implemented for lack of appropriate regulations and other implementation-related issues. Nepal, however, has yet to amend laws and regulations on broadcasting, in the spirit of the guarantees provided by the Interim Constitution &lt;span style=""&gt; &lt;/span&gt;and the recommendations of the Media Commission. The outcome has been rapid but haphazard growth in licensing new broadcasters, especially FM radios, whose management, growth and sustainability remain major challenges. Media development in Nepal remains constrained by inadequate legislation and/or implementation of laws – where they exist – as well as the lack of institutional capacity of media organisations and resources (human and material). Preparing the Nepali media for taking on the challenge to support communications on state-building during the transition requires continuous efforts in training journalists, supporting media organisations in producing content and supporting forums for media to discuss and identify major challenges and the steps to address them.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style=""&gt;3.0 Nepal’s media environment 2008- 2009&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style=""&gt;Nepal’s media environment early 2008, there was General insecurity, especially that of media workers, has also been reported mainly in the eastern region’s hill districts. In the southern plains there are over a dozen armed groups claiming to represent the demands of the Madhesi people, whilst violence in the hills is related to the demand for establishing autonomous identity based provinces. Media companies have faced increasing disruptions owing to trade-union related disputes championed by workers affiliated with the ruling UCPN(M)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style=""&gt;party. The government has failed to bring those accused of violence against journalists to justice. The authority’s inability to guarantee justice to the victims has sent the message that ‘it is ok to attack the media,’ which could have long-term implications in a society with weak or almost non-existent law enforcement.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style=""&gt;There are a number of pending cases in which the government has failed to bring those responsible for attacking the media and journalists to justice has lead to a climate of impunity for those resorting to violence. On 5 October 2007 the Maoists abducted and killed Birendra Sah, a journalist in the Bara district. The whereabouts of another journalist, Prakash Singh Thakuri, allegedly abducted by the Maoists on 5 July 2008 from Mahendranagar in Far-western Nepal, remained unknown at the time of the publication of this&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style=""&gt;report. The Janatantrik Terai Mukti Morcha (Jwala Singh) took responsibility for killing Pushkar Bahadur Shrestha in the Birgunj region of Parsa district on 12 January 2008. However, the government had not made any asserted efforts to investigate the deaths and bring those guilty to justice. More recently, J.P. Joshi was abducted in October 2008 and what is believed to be his remains were found on 28 November 2008. The Government detained two individuals accused of the murder but investigations have made little progress. On 11 January 2009 a group of about 15 persons murdered Uma Singh, a journalist in her mid-twenties, in the Janakpur region of Dhanusha district. The government investigated the attack but concluded that the murder was related simply to a property dispute - even though there were clear indications that the murder may have been motivated by her work as journalist. The deceased had written critical articles about the ruling party&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style=""&gt;and the local Maoist leadership. Several media companies came under direct attack from pro-Maoist trade&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style=""&gt;unions in late 2008. Rather than respond and arrest those identified as&lt;span style=""&gt;  &lt;/span&gt;responsible, the government waited until the perpetrators “surrendered” to the District Administration and they were later released on bail. The&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style=""&gt;inability of the police to arrest and detain the perpetrators affiliated with the governing party has sent a clear message that supporters of the ruling party are beyond rule of law.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style=""&gt;&lt;span style=""&gt; &lt;/span&gt;In 2007 Nepal enacted two vital laws for protecting the rights of journalists and media freedoms. These include the Working Journalists Act and the Right to Information Act (18 July and 8 August 2007). However, both laws have not been enforced for lack of appropriate regulations and other implementationrelated issues. Nepal, however, has yet to amend laws and regulations for the broadcasting sector in the spirit of the guarantees provided by the Interim Constitution and the recommendations of the Media Commission. The lack&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style=""&gt;of clear regulatory guidelines has resulted in a rapid but haphazard growth in licensing new broadcasters, especially FM radios, whose programming, management, growth and sustainability remain major challenges.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style=""&gt;Media development in Nepal remains constrained by inadequate legislation and/or implementation of laws, these exist at all, as well as the lack of both institutional capacity of media organisations and resources (human&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style=""&gt;and material). 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	mso-pagination:widow-orphan; 	font-size:10.0pt; 	font-family:"Calibri","sans-serif";} &lt;/style&gt; &lt;![endif]--&gt;&lt;b style=""&gt;&lt;span style=""&gt; CONCLUDING REMARKS:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;  &lt;/p&gt;&lt;p class="MsoNormal" style="text-align: justify;"&gt;The challenges of Nepali journalism are apparent at all levels of the news process: the system, media organizations, individual journalists, and the larger society. These directly affect the quality of press performance required of any post-conflict society that is dealing with crucial issues of peace-building. Rank and file journalists have rarely been sensitized to approaches and issues involved with post-conflict reporting, although media rights groups and international donors have spent some resources in this area. To achieve what in Nepal is often referred to as “healthy journalism,” there is a need for a coordinated approach to a newsgathering process that emphasizes a deeper understanding of what is meant by journalistic independence and provides support for creativity, collaborative reporting, diversity and tolerant working conditions. Regular assessments of news coverage are also necessary to prioritize news agendas. Under the repressive regime, achieving democracy was the overriding concern for Nepali journalists and other civil society groups, and relentless criticism was their means. They earned widespread public support in that cause, and they deservedly basked in the glory of being crusaders. Today, they are doing battle with different issues and circumstances as they strive to reach a level of professional competence in which more will be required than a journalism of assertion.&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style=""&gt;Nepal has overcome a decade-long armed conflict, but still remains at the crossroads of a delicate transition. A wrong turn could threaten the achievements made so far while the right strategies and investments can help speed up the peace process, strengthen democracy and open up the space for development. The media can play an important role in facilitating the change but it requires an environment where it can work freely and without fear of harassment, abductions and murder. There is no alternative to a free media in a democracy. Attacks on media companies, abduction of journalists, threats and harassments and obstructions disrupt information flow and constrict the people’s right to know. It is sad that the same media which played a leading during the&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style=""&gt;restoration of democracy in 2006 has now become the target of attacks from various groups, even including criminal elements who are taking advantage of weak law enforcement. The Nepali transition which began in April 2006 remains volatile and complex. Even though there are guarantees for press freedom and freedom&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style=""&gt;of expression in the Interim Constitution and the Government has also passed several laws that favour freedom of expression, the issues of safety of journalists and protection of press freedoms remain major challenges.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style=""&gt;Developing the capacity of the media to respond to these challenges and the need for informed debate in Nepal is another major challenge.&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style=""&gt;&lt;meta equiv="Content-Type" content="text/html; charset=utf-8"&gt;&lt;meta name="ProgId" content="Word.Document"&gt;&lt;meta name="Generator" content="Microsoft Word 12"&gt;&lt;meta name="Originator" content="Microsoft Word 12"&gt;&lt;link rel="File-List" href="file:///C:%5CDOCUME%7E1%5CADMINI%7E1%5CLOCALS%7E1%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_filelist.xml"&gt;&lt;link rel="themeData" href="file:///C:%5CDOCUME%7E1%5CADMINI%7E1%5CLOCALS%7E1%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_themedata.thmx"&gt;&lt;link rel="colorSchemeMapping" href="file:///C:%5CDOCUME%7E1%5CADMINI%7E1%5CLOCALS%7E1%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_colorschememapping.xml"&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt; 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	mso-pagination:widow-orphan; 	font-size:10.0pt; 	font-family:"Calibri","sans-serif";} &lt;/style&gt; &lt;![endif]--&gt;  &lt;/p&gt;&lt;p class="MsoNormal" style=""&gt;&lt;b style=""&gt;&lt;span style=""&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;br /&gt;&lt;span style=""&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;p&gt;&lt;/p&gt;  &lt;p&gt;&lt;/p&gt;  &lt;span style=""&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;p&gt;&lt;/p&gt;  &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8163146541368172934-7548077270926086444?l=bijaysamuel.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://bijaysamuel.blogspot.com/feeds/7548077270926086444/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://bijaysamuel.blogspot.com/2009/07/state-of-media-in-nepal-in-2065bs.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8163146541368172934/posts/default/7548077270926086444'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8163146541368172934/posts/default/7548077270926086444'/><link rel='alternate' type='text/html' href='http://bijaysamuel.blogspot.com/2009/07/state-of-media-in-nepal-in-2065bs.html' title='State of media in Nepal in 2065B.S.'/><author><name>Eternal</name><uri>http://www.blogger.com/profile/03160888351216386728</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://3.bp.blogspot.com/_YfpZ5wP-LHY/SgaTdkG86zI/AAAAAAAAAAM/8_2ihz-2YY4/S220/n506280521_2394987_2221042.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8163146541368172934.post-8861053837958155391</id><published>2009-06-01T08:47:00.000-07:00</published><updated>2009-06-01T08:48:02.142-07:00</updated><title type='text'>A Tribute</title><content type='html'>&lt;!--StartFragment--&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="color: rgb(204, 255, 255);"&gt;Tribute to a writer: Hari Manjushree&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="color: rgb(204, 255, 255);"&gt;In the field of Neplese literature of&lt;/span&gt;&lt;span style="mso-spacerun: yes"&gt;&lt;span class="Apple-style-span" style="color: rgb(204, 255, 255);"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: rgb(204, 255, 255);"&gt;recent times he is considered one of the writer who has still been giving much time and effort to present Nepalese literature amongst the masses. In the beginning of this New Year 2066 Red Cross society “Setidevi” branch which is in Dhulikhel, Kavre organized a single book exhibition in honor of Hair Manjushree, where he distributed certificated to those who helped him in this literary journey.&lt;/span&gt;&lt;span style="mso-spacerun:yes"&gt;&lt;span class="Apple-style-span" style="color: rgb(204, 255, 255);"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: rgb(204, 255, 255);"&gt;The chief guest for&lt;/span&gt;&lt;span style="mso-spacerun: yes"&gt;&lt;span class="Apple-style-span" style="color: rgb(204, 255, 255);"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: rgb(204, 255, 255);"&gt;this&lt;/span&gt;&lt;span style="mso-spacerun: yes"&gt;&lt;span class="Apple-style-span" style="color: rgb(204, 255, 255);"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: rgb(204, 255, 255);"&gt;exhibition was Dr. Suresh Raj Shrestha who is also the vice-chancellor of Kathmandu University. He inaugurated the program by cutting the ribbon. &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="color: rgb(204, 255, 255);"&gt;He has been honored&lt;/span&gt;&lt;span style="mso-spacerun: yes"&gt;&lt;span class="Apple-style-span" style="color: rgb(204, 255, 255);"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: rgb(204, 255, 255);"&gt;by “Kul Chandra Koirala Smriti Pratisthan”, “Roshi National award”, “Nepali Awaz ko sampadak samajik manch”, “saptahik madhyammarga”, “Sun koshi sahitya pratisthan”, “mukti marga darshan” and “jawahar grantha sampadan”.&lt;/span&gt;&lt;span style="mso-spacerun: yes"&gt;&lt;span class="Apple-style-span" style="color: rgb(204, 255, 255);"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: rgb(204, 255, 255);"&gt;He has brought up a great change in Neplese writing style, which can be found in is literary works, different than of others. His creations are easy to read and understand .&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="color: rgb(204, 255, 255);"&gt; &lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;!--EndFragment--&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8163146541368172934-8861053837958155391?l=bijaysamuel.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://bijaysamuel.blogspot.com/feeds/8861053837958155391/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://bijaysamuel.blogspot.com/2009/06/tribute.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8163146541368172934/posts/default/8861053837958155391'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8163146541368172934/posts/default/8861053837958155391'/><link rel='alternate' type='text/html' href='http://bijaysamuel.blogspot.com/2009/06/tribute.html' title='A Tribute'/><author><name>Eternal</name><uri>http://www.blogger.com/profile/03160888351216386728</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://3.bp.blogspot.com/_YfpZ5wP-LHY/SgaTdkG86zI/AAAAAAAAAAM/8_2ihz-2YY4/S220/n506280521_2394987_2221042.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8163146541368172934.post-676002910213265470</id><published>2009-06-01T08:23:00.000-07:00</published><updated>2009-06-01T08:35:17.452-07:00</updated><title type='text'>Radio Nepal</title><content type='html'>&lt;!--StartFragment--&gt;  &lt;h3&gt;&lt;span style="font-family:Arial"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h3&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-family:Arial"&gt;Radio Nepal was established on 1 April 1951.&lt;span style="mso-spacerun: yes"&gt;  &lt;/span&gt;Initially the transmission covered a duration of 4.5 hours through a 250 watt transmitter.&lt;span style="mso-spacerun: yes"&gt;  &lt;/span&gt;Over the years, Radio Nepal has strengthened its institutional capacity and diversified itself in terms of programme format, technical efficiency and nationwide coverage.&lt;span style="mso-spacerun: yes"&gt;  &lt;/span&gt;Radio Nepal airs programmes on Short Wave as well as Medium Wave frequencies.&lt;span style="mso-spacerun: yes"&gt;  &lt;/span&gt;Radio Nepal transmits 15 hours everyday, which includes 2 hours of regional broadcasts 0930 hrs to 1100 hrs in the morning and 1805 hrs to 1830 hrs in the evening.&lt;span style="mso-spacerun:yes"&gt;  &lt;/span&gt;However on public holidays, there is an additional 2 hours, extending the total duration to 17 hours.&lt;span style="mso-spacerun: yes"&gt;  &lt;/span&gt;A FM-Channel covering Kathmandu valley and adjoining areas was started in 1995.&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-family:Arial"&gt;                                  Radio Nepal has its own studios for programme production, music recording, talk shows and news broadcasts.&lt;span style="mso-spacerun: yes"&gt;  &lt;/span&gt;A music library at its premises in Singh Durbar has a collection of about 15,000 songs.&lt;span style="mso-spacerun: yes"&gt;  &lt;/span&gt;Foreign broadcasting Stations also make use of our Studio facilities and transmitters for live and other broadcasts on a rental basis.The Broadcasting Headquarters at Singha Durbar in Kathmandu has two broad casting houses consisting of one drama studio, two music studios, one reporting studio, three continuity studios, the news studio, seven programme production studios.&lt;span style="mso-spacerun: yes"&gt;  &lt;/span&gt;One of the music studios is equipped with sophisticated 24 track recording facility.&lt;span style="mso-spacerun:yes"&gt;  &lt;/span&gt;This studio is open for hiring purposes for anyone desirous of recording music digitally whether solo track or for albums after payment of studio charges which are very reasonable compared to other private studios.The complex also has one open air live concert facility for functions and musical performances. Like other transmitting stations, the Head quarters also has a 100kva stand by diesel generator.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-family:Arial"&gt; &lt;span class="Apple-style-span" style="font-size: 19px; font-weight: bold; "&gt;ROLE OF RADIO BROADCASTING IN NEPAL&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoBodyText"&gt;&lt;span style="font-family:Arial"&gt;Radio broadcasting is the cheapest and quickest means of mass communications in Nepal.&lt;span style="mso-spacerun: yes"&gt;  &lt;/span&gt;In a mountainous country like Nepal, radio broadcasting has proved to be a very effective medium in disseminating information, educating people and entertaining the masses.&lt;span style="mso-spacerun: yes"&gt;  &lt;/span&gt;It has been providing various programmes aimed at creating mass awareness.&lt;span style="mso-spacerun:yes"&gt;  &lt;/span&gt;The people in the hilly areas and many of the remote villages have no access to motorable roads nor to any communication and entertainment facilities.&lt;span style="mso-spacerun: yes"&gt;  &lt;/span&gt;Illiteracy being a common feature among the people, little use is made of the newspapers, which have very limited and delayed circulation.&lt;span style="mso-spacerun:yes"&gt;  &lt;/span&gt;Therefore, Radio has been the most suitable means of disseminating information and providing entertainment to masses in Nepal.&lt;span class="Apple-style-span" style="font-size: 19px; font-weight: bold; "&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoBodyText"&gt;&lt;span style="font-family:Arial"&gt;&lt;span class="Apple-style-span" style="font-size: 19px; font-weight: bold; "&gt;TRANSMISSION CAPACITY&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:19.5pt;text-align:justify;text-indent:-19.5pt;mso-list:l2 level1 lfo1;tab-stops:list 19.5pt"&gt;&lt;span style="font-family:Arial"&gt;&lt;b&gt;(a)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;   &lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style="font-family:Arial"&gt;&lt;b&gt;Short Wave: &lt;/b&gt;&lt;/span&gt;&lt;span style="font-family:Arial"&gt;Three transmitters of 100 kw each enable transmission on two frequencies simultaneously.&lt;span style="mso-spacerun: yes"&gt;  &lt;/span&gt;&lt;b&gt;Khumaltar&lt;/b&gt;&lt;/span&gt;&lt;span style="font-family:Arial"&gt; transmitting station has three 100 kw transmitters as well as a 250 kva diesel generator to cope with power cuts.&lt;span class="Apple-style-span" style="font-family: Georgia; "&gt;&lt;span style="font-family:Arial"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-left:19.5pt;text-align:justify;text-indent:-19.5pt;mso-list:l2 level1 lfo1;tab-stops:list 19.5pt"&gt;&lt;span style="font-family:Arial"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia; "&gt;&lt;span style="font-family:Arial"&gt;The Kathmandu Transmitting Station at &lt;b&gt;Sainbu, Bhaisepati&lt;/b&gt;&lt;/span&gt;&lt;span style="font-family:Arial"&gt; has one 100 kw main transmitter in addition to a 10kw stand by transmitter.&lt;span style="mso-spacerun: yes"&gt;  &lt;/span&gt;There is also a provision for at 100 kva diesel generator.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-family:Arial"&gt; &lt;span class="Apple-style-span" style="font-family: Georgia; "&gt;&lt;span style="font-family:Arial"&gt;&lt;b&gt;(b)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;   &lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style="font-family:Arial"&gt;&lt;b&gt;Medium Wave: &lt;/b&gt;&lt;/span&gt;&lt;span style="font-family:Arial"&gt;There are transmitters of various capacities in all the five development regions.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-family:Arial"&gt;                            Radio Nepal uses a wide range of formats including features, documentaries, docu-dramas, dramas, talk shows, interviews, music shows, live commentaries etc.&lt;span style="mso-spacerun: yes"&gt;  &lt;/span&gt;Recognizing the citizen's right to be informed under a multi-party democracy, Radio Nepal attempts to provide informative, educational as well as entertainment programmes.&lt;span style="mso-spacerun: yes"&gt;  &lt;/span&gt;The major programme highlights include:&lt;span class="Apple-style-span" style="font-family: Georgia; "&gt;&lt;span style="font-family:Arial"&gt;&lt;b&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-family:Arial"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia; "&gt;&lt;span style="font-family:Arial"&gt;&lt;b&gt;(a)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;           &lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style="font-family:Arial"&gt;&lt;b&gt;Educational:&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoBodyTextIndent"&gt;&lt;span style="font-family:Arial"&gt;Programmes on religion, literature, science and technology, agriculture, women, health and sanitation public health, children and youth.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-family:Arial"&gt; &lt;span class="Apple-style-span" style="font-family: Georgia; "&gt;&lt;span style="font-family:Arial"&gt;&lt;b&gt;(b)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;           &lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style="font-family:Arial"&gt;&lt;b&gt;Entertainment:&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoBodyTextIndent" style="margin-left:1.0in;text-indent:-.5in;mso-list:l0 level1 lfo3;tab-stops:list 1.0in"&gt;&lt;span style="font-family:Arial"&gt;(i)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;             &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:Arial"&gt;Music: Nepali songs, Western music, Hindi songs and Gazals.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:1.0in;text-align:justify;text-indent:-.5in;mso-list:l0 level1 lfo3;tab-stops:list 1.0in"&gt;&lt;span style="font-family:Arial"&gt;(ii)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;           &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:Arial"&gt;Songs in the different national languages.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:1.0in;text-align:justify;text-indent:-.5in;mso-list:l0 level1 lfo3;tab-stops:list 1.0in"&gt;&lt;span style="font-family:Arial"&gt;(iii)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;          &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:Arial"&gt;Radio dramas and comedy programmes.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-family:Arial"&gt;&lt;span class="Apple-style-span" style="font-family: Georgia; "&gt;&lt;span style="font-family:Arial"&gt;&lt;b&gt;(c)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;           &lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style="font-family:Arial"&gt;&lt;b&gt;Information:&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoBodyTextIndent" style="margin-left:1.0in;text-indent:-.5in;mso-list:l3 level1 lfo4;tab-stops:list 1.0in"&gt;&lt;span style="font-family:Arial"&gt;(i)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;             &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:Arial"&gt;News and Current Affairs.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:1.0in;text-align:justify;text-indent:-.5in;mso-list:l3 level1 lfo4;tab-stops:list 1.0in"&gt;&lt;span style="font-family:Arial"&gt;(ii)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;           &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:Arial"&gt;Phone-in for Parliamentarians&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:1.0in;text-align:justify;text-indent:-.5in;mso-list:l3 level1 lfo4;tab-stops:list 1.0in"&gt;&lt;span style="font-family:Arial"&gt;(iii)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;          &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:Arial"&gt;Radio Reports&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:1.0in;text-align:justify;text-indent:-.5in;mso-list:l3 level1 lfo4;tab-stops:list 1.0in"&gt;&lt;span style="font-family:Arial"&gt;(iv)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;          &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:Arial"&gt;Review of the press&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:1.0in;text-align:justify;text-indent:-.5in;mso-list:l3 level1 lfo4;tab-stops:list 1.0in"&gt;&lt;span style="font-family:Arial"&gt;(v)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;           &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:Arial"&gt;Development Programmes&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-family:Arial"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="text-align:justify"&gt;&lt;span style="font-family:Arial"&gt;Programmes on information and education constitute 40% of the total programmings and entertainment covers the remaining 60% which also include commercials.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14.0pt;font-family:&amp;quot;Bodoni SvtyTwo ITC TT-BookIta&amp;quot;;color:black"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;!--EndFragment--&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8163146541368172934-676002910213265470?l=bijaysamuel.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://bijaysamuel.blogspot.com/feeds/676002910213265470/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://bijaysamuel.blogspot.com/2009/06/radio-nepal.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8163146541368172934/posts/default/676002910213265470'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8163146541368172934/posts/default/676002910213265470'/><link rel='alternate' type='text/html' href='http://bijaysamuel.blogspot.com/2009/06/radio-nepal.html' title='Radio Nepal'/><author><name>Eternal</name><uri>http://www.blogger.com/profile/03160888351216386728</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://3.bp.blogspot.com/_YfpZ5wP-LHY/SgaTdkG86zI/AAAAAAAAAAM/8_2ihz-2YY4/S220/n506280521_2394987_2221042.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8163146541368172934.post-7560889125284430861</id><published>2009-06-01T07:28:00.000-07:00</published><updated>2009-06-01T07:30:08.350-07:00</updated><title type='text'>Madan puraskar library</title><content type='html'>&lt;!--StartFragment--&gt;  &lt;p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;text-autospace:none"&gt;&lt;span style="font-size:13.0pt;font-family:TrebuchetMS"&gt;Madan Puraskar Pustakalaya which is situated in Lalitpur, was established in 1953 B.S. The present chairman of this organization is Kamal Mani Dixit. The main aim of this library is conservation, preservation and digitization of literary works.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;text-autospace:none"&gt;&lt;span style="font-size:13.0pt;font-family:TrebuchetMS"&gt;The library has books that were printed in Benaras as at that time Nepal had no printing machines. Though we cannot find the old newspapers and even the proof about the time they were printed but with the help of books we get the information about the date or time they had been printed. Before, at the end or at the beginning of the book ads about the newspapers were given.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;text-autospace:none"&gt;&lt;span style="font-size:13.0pt;font-family:TrebuchetMS"&gt;According to the old records this library contains 26845 books. Collection of newspapers are also in a huge amount. Around 5125 newspapers can easily be obtained in this library. We can even get the newspaper- 'Gorkhapatra' from its 1st edition.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;text-autospace:none"&gt;&lt;span style="font-size:13.0pt;font-family:TrebuchetMS"&gt;This library have around 15000 old pictures that talks about history of Nepal. Among which 7000 pictures are already digitised and placed in the net. We can even find 35000 pictures that are placed in different sections according to the areas related.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size:13.0pt;font-family:TrebuchetMS"&gt;Visit to Madan Puraskas Library would be very beneficial. We can learn many new things and see how micro film works and it has lots of book which could be very benifitial to gain and get informations.&lt;/span&gt;&lt;span style="font-size:14.0pt;font-family:&amp;quot;Bodoni SvtyTwo ITC TT-BookIta&amp;quot;;color:black"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;!--EndFragment--&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8163146541368172934-7560889125284430861?l=bijaysamuel.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://bijaysamuel.blogspot.com/feeds/7560889125284430861/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://bijaysamuel.blogspot.com/2009/06/madan-puraskar-library.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8163146541368172934/posts/default/7560889125284430861'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8163146541368172934/posts/default/7560889125284430861'/><link rel='alternate' type='text/html' href='http://bijaysamuel.blogspot.com/2009/06/madan-puraskar-library.html' title='Madan puraskar library'/><author><name>Eternal</name><uri>http://www.blogger.com/profile/03160888351216386728</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://3.bp.blogspot.com/_YfpZ5wP-LHY/SgaTdkG86zI/AAAAAAAAAAM/8_2ihz-2YY4/S220/n506280521_2394987_2221042.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8163146541368172934.post-7267381100533347238</id><published>2009-06-01T07:20:00.000-07:00</published><updated>2009-06-01T07:22:10.353-07:00</updated><title type='text'>NEPLESE FILM INDUSTRY</title><content type='html'>&lt;!--StartFragment--&gt;  &lt;p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;text-autospace:none"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 255, 255); font-family: arial; font-size: 19px; font-style: italic; line-height: 24px; "&gt;During Period of Rana there was no film industry in Nepal and Nepali film too. Filmmaking in Nepal started only after 1962. Before 1962, King Mahendra invited Hira Singh Khatri from Bollywood to Nepal and he made a documentary about 42nd birthday of King Mahendra. That was the first ever film made from Nepal. But, the first film in Nepali language was 'Satya Harishchandra' and its director was D.B.Pariyar which was made in India. In the past, to record songs a singer had to go to India. This film is made in India, technologies; musician, actor and actress were from India. The first feature film from Nepal was 'Aama', which was Black and White and made in 1965 AD. It was produced by His Majesty's Government of Nepal. In order to develop the film industry, the government established the Film Corporation. Nepali films became color in Panchayat period. In 1974, a board was formed for the development of film industry called as Royal Nepal Film Corporation. Between the years 1964-1971 three propaganda films were produced. In 1990, there was a political drastic change. In the beginning, Nepalese film industry produced quite a number of successful movies such as Basanti, Prem Pinda and Maithighar. Within three years of time, 150 films were made. Distribution was increased; market shares reached to its peak, cinema halls were increased. Post 1990, film industry expanded. If before 1990 1-10 films were made per year the number of films were 50 per year in post 1990’s. Nepali Film Caravan was nominated for the world's most prestigious Academy Awards as the best foreign language film and was produced jointly by Nepal and France.&lt;/span&gt;&lt;br /&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size: 14pt; "&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;&lt;span class="Apple-style-span" style="font-family: arial;"&gt;&lt;span class="Apple-style-span" style="color: rgb(51, 255, 255);"&gt;There were 450 cinema halls out of which only hundreds are operating at present out of which only 11 are operating with permanent license, 38 with temporary and the rest are mobile or make-shift cinema houses. Nepalese movie industry had been facing serious competition from Indian movie industry. Now many music studios have established in Nepal although they are not of that high quality but India is still preferred. Nepali film makers had to hire cameraman, dance directors, make-up man from India, although now the trend is being changed. Before editing, dubbing and mixing were done in India but now newly developed Nepal Film Development Company Ltd. has all the technical facilities. In the film industry of Nepal started to make real and qualitative Nepali film. Kagbeni is one of the examples of it. In order to strengthen all aspects of the industry government had created a body Film Development Board on 30th June, 2000.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;!--EndFragment--&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8163146541368172934-7267381100533347238?l=bijaysamuel.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://bijaysamuel.blogspot.com/feeds/7267381100533347238/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://bijaysamuel.blogspot.com/2009/06/neplese-film-industry.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8163146541368172934/posts/default/7267381100533347238'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8163146541368172934/posts/default/7267381100533347238'/><link rel='alternate' type='text/html' href='http://bijaysamuel.blogspot.com/2009/06/neplese-film-industry.html' title='NEPLESE FILM INDUSTRY'/><author><name>Eternal</name><uri>http://www.blogger.com/profile/03160888351216386728</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://3.bp.blogspot.com/_YfpZ5wP-LHY/SgaTdkG86zI/AAAAAAAAAAM/8_2ihz-2YY4/S220/n506280521_2394987_2221042.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8163146541368172934.post-6667745377010289051</id><published>2009-06-01T07:13:00.000-07:00</published><updated>2009-06-01T07:16:15.970-07:00</updated><title type='text'>THE ESSENCE OF THE VALLEY</title><content type='html'>&lt;!--StartFragment--&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size:16.0pt;font-family:Times;color:white"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size:20.0pt;font-family:Arial;color:white"&gt;Changu Narayan Temple&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size:18.0pt;font-family:Times;color:white"&gt;&lt;i&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size:18.0pt;font-family:Times;color:white"&gt;&lt;i&gt;The Essence of Kathmandu Valle&lt;/i&gt;&lt;/span&gt;&lt;span style="font-size:16.0pt;font-family:Times;color:white"&gt;y&lt;/span&gt;&lt;span style="font-size:14.0pt;font-family:Arial;color:white"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14.0pt;font-family:Arial;color:white"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14.0pt;font-family:Arial;color:white"&gt;Changu Narayan Temple, the oldest temple in Kathmandu valley came in existence in 4th century. The temple is adorned by some of the best specimen of stone, wood, and metal craft in the valley. The temple stands as the epitome of culture, religion, history and faith of the Kathmandu valley. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14.0pt;font-family:Arial;color:white"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14.0pt;font-family:Arial;color:white"&gt;Fast Facts&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14.0pt;font-family:Arial;color:white"&gt;Location&lt;span style="mso-tab-count:1"&gt;         &lt;/span&gt; : 22 km from Kathmandu&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14.0pt;font-family:Arial;color:white"&gt;Importance&lt;span style="mso-tab-count:1"&gt;         &lt;/span&gt; : Oldest temple in Kathmandu valley&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14.0pt;font-family:Arial;color:white"&gt;Built in&lt;span style="mso-tab-count:1"&gt;         &lt;/span&gt; :&lt;span style="mso-spacerun: yes"&gt;  &lt;/span&gt;4th century A.D.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14.0pt;font-family:Arial;color:white"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14.0pt;font-family:Arial;color:white"&gt;Historical Importance &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14.0pt;font-family:Arial;color:white"&gt;It is the oldest temple in Kathmandu valley.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14.0pt;font-family:Arial;color:white"&gt;A Vishnu idol with ten heads and ten arms is a fine example of stone carving from the 5th century.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14.0pt;font-family:Arial;color:white"&gt;The temple is of great importance due to its idols and shrines having rich architectural beauty.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14.0pt;font-family:Arial;color:white"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14.0pt;font-family:Arial;color:white"&gt;Places To Be Seen:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14.0pt;font-family:Arial;color:white"&gt;Garuda Narayana Temple&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14.0pt;font-family:Arial;color:white"&gt;Shrine of King Bhupatendra Malla and his mother&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14.0pt;font-family:Arial;color:white"&gt;Krishna Shrine&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14.0pt;font-family:Arial;color:white"&gt;Nateshvara Shrine&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14.0pt;font-family:Arial;color:white"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14.0pt;font-family:Arial;color:white"&gt;Sculpture of Sri Mahadev&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14.0pt;font-family:Arial;color:white"&gt;Sculpture of Garuda&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14.0pt;font-family:Arial;color:white"&gt;Shrine of Somalingeshvara&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14.0pt;font-family:Arial;color:white"&gt;Sculptures: Vishnu, Durga Avalokitesvara and Garuda Ganesh&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14.0pt;font-family:Arial;color:white"&gt;Ganesh Shrine&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14.0pt;font-family:Arial;color:white"&gt;Bhagvati Temple&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14.0pt;font-family:Arial;color:white"&gt;Vishnu Vikranta&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14.0pt;font-family:Arial;color:white"&gt;Vishnu Vishvarupa&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14.0pt;font-family:Arial;color:white"&gt;Lakshmi Temple Shiva Temple&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14.0pt;font-family:Arial;color:white"&gt;Stone Column&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14.0pt;font-family:Arial;color:white"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14.0pt;font-family:Arial;color:white"&gt;Legendary Places In The Temple &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14.0pt;font-family:Arial;color:white"&gt;Garuda Idol&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14.0pt;font-family:Arial;color:white"&gt;Inside the Changunarayan temple is a esteemed figure of Garuda. The statue is offered sweets by the devotees every year on Nag Panchami. This is done in remembrance of the epic struggle with the great snake Taksaka. The drops of moisture, believed to be effective against diseases such as leprosy and ulcers, are collected by the priests.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14.0pt;font-family:Arial;color:white"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14.0pt;font-family:Arial;color:white"&gt;&lt;i&gt;King Bhupendra Malla Statues&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14.0pt;font-family:Arial;color:white"&gt;Statues of King Bhupalendra Malla of Kathmandu and his mother can also be seen in a shrine. Bloody fighting characterised their politics during the 17th century but both were generous when it came to revering the gods.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14.0pt;font-family:Arial;color:white"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14.0pt;font-family:Arial;color:white"&gt;&lt;i&gt;Vishnu Sculpture&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14.0pt;font-family:Arial;color:white"&gt;To the north of the temple is a sculpture of Lord Vishnu seated on Garuda (Garudasana Vishnu). This image appears on the Nepalese 10 rupee note. Vishnu sculpture dates back to 9th century.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14.0pt;font-family:Arial;color:white"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14.0pt;font-family:Arial;color:white"&gt;Important Vishnu Sculptures &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14.0pt;font-family:Arial;color:white"&gt;&lt;i&gt;Vishwaroop&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14.0pt;font-family:Arial;color:white"&gt;Vishwaroop sculpture, dating back to 8th century A.D., presents Lord Vishnu in his universal form. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14.0pt;font-family:Arial;color:white"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14.0pt;font-family:Arial;color:white"&gt;&lt;i&gt;Vishnu Vikrant&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14.0pt;font-family:Arial;color:white"&gt;The stone idol, harking back to the 8th century A.D, is of the most powerful form of Lord Vishnu. It is related to the Hindu legend of Vaman, an incarnation of Vishnu, who measured space with feet.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14.0pt;font-family:Arial;color:white"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14.0pt;font-family:Arial;color:white"&gt;&lt;i&gt;Vishnu Riding Garuda &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14.0pt;font-family:Arial;color:white"&gt;This figure of Vishnu mounting Garuda, the mythical bird, dates back to the 10th century A.D.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14.0pt;font-family:Arial;color:white"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14.0pt;font-family:Arial;color:white"&gt;&lt;i&gt;Narsimhha Vishnu&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14.0pt;font-family:Arial;color:white"&gt;This form of Lord Vishnu, the Narsimha, is in half human and half lion form.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size:14.0pt;font-family:Arial;color:white"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="color:white"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;!--EndFragment--&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8163146541368172934-6667745377010289051?l=bijaysamuel.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://bijaysamuel.blogspot.com/feeds/6667745377010289051/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://bijaysamuel.blogspot.com/2009/06/essence-of-valley.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8163146541368172934/posts/default/6667745377010289051'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8163146541368172934/posts/default/6667745377010289051'/><link rel='alternate' type='text/html' href='http://bijaysamuel.blogspot.com/2009/06/essence-of-valley.html' title='THE ESSENCE OF THE VALLEY'/><author><name>Eternal</name><uri>http://www.blogger.com/profile/03160888351216386728</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://3.bp.blogspot.com/_YfpZ5wP-LHY/SgaTdkG86zI/AAAAAAAAAAM/8_2ihz-2YY4/S220/n506280521_2394987_2221042.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8163146541368172934.post-254562179627655432</id><published>2009-05-10T01:59:00.000-07:00</published><updated>2009-05-10T02:06:06.858-07:00</updated><title type='text'>प्रेस काउ_िन्सल ऐन</title><content type='html'>प्रेस काउिन्सल  ऐन&lt;br /&gt;&lt;br /&gt;यस ऐनको नाम प्रेस काउिन्सल ऐन २०४८ रहेको छ । यो ऐन श्री ५ महाराजधिराज वीरेन्द्र वीर विक्रम शाहदेवको शासन कालको बीसौं वर्षमा संसदले बनाएको हो ।&lt;br /&gt;पत्रकारिताको पेशागत उच्चतम् आचरण कायम राखी स्वस्थ स्वतन्त्र र उत्तरदायी पत्रकारिताको विकास तथा सम्बर्धनको लागि प्रेस काउिन्सलको स्थापना र व्यवस्था गरिएको हो । स्वस्थ पत्रकारिताको विकासको लागि प्रेस काउिन्सलको स्थापना भएको हो ।&lt;br /&gt;&lt;br /&gt; उद्देश्य&lt;br /&gt; -स्वस्थ पत्रकारिताको विकासको लागि उपयुक्त वातावरण सिर्जना गर्ने ।&lt;br /&gt; -प्रेस स्वतन्त्रताको दुरुपयोग हुन नदिन पत्रकारिता सम्बन्धी आचार संहिता तोक्ने ।&lt;br /&gt; -प्रेस र नेपाल सरकार बीच सौहार्दपूर्ण सम्बन्ध कायम राख्ने ।&lt;br /&gt; सार्वजनिक नैतिकता र नागरिकहरुको मर्यादा कायम राख्न लगाउने ।&lt;br /&gt; प्रेसको स्वतन्त्रता र पत्रकारिताको मर्यादामाथि हस्तक्षेप हुननदिन प्रयत्नशील रहने ।&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;br /&gt; यस ऐनमा जम्मा १८ व्ाटा दफाहरु रहेका छन् ।&lt;br /&gt;&lt;br /&gt;&lt;br /&gt; प्रमुख प्रावधान&lt;br /&gt; -काउिन्सल अविच्छिन्न उक्तराधिकारवाला एक स्वशासित र संगठित संस्था भएर आफ्नो काम कारवाहीको     निमित्त आफ्नो छुटै छाप हुनेछ ।&lt;br /&gt; -कुनै पत्रकारले आप््नो व्यवसायिक आचार संहिता उल्लघंन गरेमा कुनै पनि व्यक्तिले काउिन्सलमा उजूरी दिन सक्नेछ ।&lt;br /&gt; -मर्का पर्ने पक्षको भनाई सम्बन्धित पत्रपत्रिकामा प्रकाशित गर्न सकिन्छ ।&lt;br /&gt; -काउिन्सलले नेपाल सरकारसंग सम्पर्क राख्दा संचार मन्त्रालय मार्फत राख्नु पर्नेछ ।&lt;br /&gt; -काउिन्सलले आफ्नो कार्य संचालनको लागि यो ऐनको अधीनमा रही नेपाल सरकारको स्वीकृति लिई आवश्यक विनियमहरु बनाउन सक्नेछ ।&lt;br /&gt; -पत्रपत्रिकामा प्रकाशित असामाजिक र आपत्तिजनक कुराहरुको सम्बन्धमा छानबिन गर्ने ।&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8163146541368172934-254562179627655432?l=bijaysamuel.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://bijaysamuel.blogspot.com/feeds/254562179627655432/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://bijaysamuel.blogspot.com/2009/05/blog-post.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8163146541368172934/posts/default/254562179627655432'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8163146541368172934/posts/default/254562179627655432'/><link rel='alternate' type='text/html' href='http://bijaysamuel.blogspot.com/2009/05/blog-post.html' title='प्रेस काउ_िन्सल ऐन'/><author><name>Eternal</name><uri>http://www.blogger.com/profile/03160888351216386728</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://3.bp.blogspot.com/_YfpZ5wP-LHY/SgaTdkG86zI/AAAAAAAAAAM/8_2ihz-2YY4/S220/n506280521_2394987_2221042.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8163146541368172934.post-7129840597640021552</id><published>2009-05-05T01:49:00.000-07:00</published><updated>2009-05-05T01:56:41.117-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Assingnment'/><title type='text'>Time for a change: Is this enough?</title><content type='html'>&lt;!--StartFragment--&gt;  &lt;p class="MsoNormal"&gt;&lt;span&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="color: rgb(255, 255, 255);"&gt;Intermingling and interdependence of the media and democracy is inevitable. The proposition by default or otherwise envisages a meaningful role for the media in a democratic society. So little wonder that the media is regarded as the nerve of the polity in democracies.&lt;/span&gt;&lt;span class="Apple-style-span" style="color: rgb(255, 255, 255);"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span&gt;&lt;i&gt;&lt;span style="mso-spacerun:yes"&gt;&lt;span class="Apple-style-span" style="color: rgb(255, 255, 255);"&gt;                     &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: rgb(255, 255, 255);"&gt;Since democracy and a free press cannot meaningfully thrive in the absence of the other, the spurt of mass media in Nepal in the post-1990 era seems only but natural. In spite of the inherent failings and shortcomings of the fledgling democracy, the openness that it ushered in did have its implications. Irrespective of the glitches and hitches, the Nepali media did take a leap forward. Media development, thereafter, doesn't seem to have looked backwards.&lt;/span&gt;&lt;span class="Apple-style-span" style="color: rgb(255, 255, 255);"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span&gt;&lt;i&gt;&lt;span style="mso-spacerun:yes"&gt;&lt;span class="Apple-style-span" style="color: rgb(255, 255, 255);"&gt;                  &lt;/span&gt;&lt;/span&gt;&lt;span style="mso-spacerun: yes"&gt;&lt;span class="Apple-style-span" style="color: rgb(255, 255, 255);"&gt;    &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: rgb(255, 255, 255);"&gt;The evolutionary growth that came about vis-à-vis the 1990 changes saw the media grow both in terms of quantity and quality. The trend that picked up with the print has now spread across audio and audio-visual mediums. Alongside newspapers, magazines, radio and television networks of various hues and shades, the growth has encompassed the online medium as well. The internet-based sources, which cut across geographical boundaries and time zones, are also gaining ground at their own momentum and pace. Community-based initiatives are other telltale examples of the progress.&lt;/span&gt;&lt;span class="Apple-style-span" style="color: rgb(255, 255, 255);"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:13.0pt;text-align:justify;mso-pagination:none;mso-layout-grid-align:none;text-autospace:none"&gt;&lt;span&gt;&lt;i&gt;&lt;span style="mso-spacerun:yes"&gt;&lt;span class="Apple-style-span" style="color: rgb(255, 255, 255);"&gt;                      &lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="color: rgb(255, 255, 255);"&gt;The government has time and again made its position and views on the media loud and clear. The policy of the Maoist party towards the media is liberal based on the universal principles of democracy and freedom, which have been made clear in its documents including the election manifesto released prior to the Constituent Assembly election. The Maoist party has expressed its commitment to the protection of the rights of the media and journalists. Even after coming to power following the Constituent Assembly election, the Maoist-led government has been making efforts to translate its commitment into action. It has already initiated some measures to ensure that the freedom of expression is not curtailed and journalists are not deprived of their rights and freedom. The media is an important sector in a democracy. A free press and democracy are almost synonymous with each other, as one cannot exist without the other. Press freedom is the hallmark of democracy, and a free press is not possible in the absence of democracy. In the same manner, democracy cannot be vibrant if there is no democracy and open society. The present government seems to have realised this. Minister for Information and Communication Krishna Bahadur Mahara, who is also the spokesperson of the government, has highlighted some of the measures that the government has taken for the development of the media in the country and protection of the rights and security of journalists. Addressing an interaction organised by the Revolutionary Journalists Association in Dang, Maoist leader and Minister Mahara said that the government has made all preparations to implement the Working Journalists Act, which was enacted a long ago. Similarly, as stated by the minister, the law on the Right to Information would also be implemented very soon. The parliament had passed the Right to Information Act long ago following the demand and pressure from the journalists and media persons. Although it was passed by Parliament, the law was never implemented. Similarly, the same thing happened to the Working Journalists’ Act. But the situation has now changed, and the government seems to be committed to implementing all the laws already passed and translate its commitment made in the past on the issues of the media. It is, thus, expected that things will be better in the future for the media and journalists.&lt;/span&gt;&lt;span class="Apple-style-span" style="color: rgb(255, 255, 255);"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span&gt;&lt;i&gt;&lt;span style="mso-spacerun:yes"&gt;&lt;span class="Apple-style-span" style="color: rgb(255, 255, 255);"&gt;                      &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: rgb(255, 255, 255);"&gt;With a new constitution in the making, Nepal stands at the crossroads of history. Unfortunate though, a spate of uncertainties now transcends the socio-political realm. Amid the uncertainties, one thing is sure and certain anyway. There is an unprecedented people's desire for a just and equitable society. The transformation, however, won't see the light of day sans a free press and liberal values in place.&lt;/span&gt;&lt;span class="Apple-style-span" style="color: rgb(255, 255, 255);"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="color: rgb(255, 255, 255);"&gt; &lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/p&gt;  &lt;!--EndFragment--&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8163146541368172934-7129840597640021552?l=bijaysamuel.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://bijaysamuel.blogspot.com/feeds/7129840597640021552/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://bijaysamuel.blogspot.com/2009/05/time-for-change-is-this-enough.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8163146541368172934/posts/default/7129840597640021552'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8163146541368172934/posts/default/7129840597640021552'/><link rel='alternate' type='text/html' href='http://bijaysamuel.blogspot.com/2009/05/time-for-change-is-this-enough.html' title='Time for a change: Is this enough?'/><author><name>Eternal</name><uri>http://www.blogger.com/profile/03160888351216386728</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://3.bp.blogspot.com/_YfpZ5wP-LHY/SgaTdkG86zI/AAAAAAAAAAM/8_2ihz-2YY4/S220/n506280521_2394987_2221042.jpg'/></author><thr:total>0</thr:total></entry></feed>
